Milenberg Joys (Alternate Take)
If You Hadn’t Gone Away
Five Foot Two, Eyes of Blue
Chinese Blues (Alternate Take)
The Girl Friend
Hello Aloha! How Are You?
State Street Shuffle
I’m remixing and remastering a 2005 session with Andrew Lamb and Warren Smith.
I’m serially releasing it on Bandcamp. Each week I will put up a new track for folks to download for free. After a week I will make the free track for sale and put up another free track.
This was a duo sax/drums record done in a small cathedral here in Brooklyn NY.
Sweet Adeline International Champions, 1970.
Fine and Dandy
Song of the South
All Aboard for Dixie Land
Do You Know the Way to San Jose
I’ll Never Stop Loving You
For All We Know
Coach: Lyle Pilcher
Tenor: Jarmela Speta
Bass: Carol Schoening
Lead: Connie Garcia
Baritone: Christine Huebschen
Purchase here if you feel the urge:
Exerpt from review here:
“The band works together for a lively Afro groove that will appeal to all with a sense of time. The quartet format gives it an intimate quality but the music rollocks and rocks steadily with tribal and Afrobeat influences front and center.
Sylvain sounds convincing and very together on his instruments; Karl Berger is right there with nicely ethnic touches and his good sense at piano as well as expectedly rangy and compelling vibes; Sergo Decius plays very hip congas and hand drums, making this session pop; and Matt Pavolka gives the groove that all-important woody bottom with taste, drive, dexterity and a nicely fat tone.”
Poem by Charlie Daniels on back cover:
As young as this morning
As old as the hills.
Rising, falling, running, crawling. A shout and a whisper,
the black, the white and the blues, the colors of his rainbow,
torrents and mist, corn whisky and champagne, catfish and
caviar, Blue Monday, Black Friday, Sunday School and poolrooms,
Barbeques and banquets.
Pull the bow across the strings — my hat is in my hand.
I Know Where I’m Going
You Left Your Happiness
Featuring Pete Drake, Little Roy Wiggins, Don Helms, Jimmy Day, Herbie Remington and others.
Ting a ling (Little Roy Wiggins)
Liberty Drive (Jimmie Day)
Southern Sunday (Pete Drake)
Wiggins Wiggle (Little Roy Wiggins)
Theme Time (Don Helms)
Steel After Hours (Pete Drake)
Steel Guitar Special (Al Petty)
It’s difficult to know if folks in the music business don’t know how much music is available online or if they know and are in denial.
By the time you have been to the download blogs, all the blogs that offer free downloads for promo purposes, all the music you can stream on blogs and on YouTube, rippin mp3s off videos all over the net, free streaming options, you can have a very rich life without dropping a dime on music.
Being a small independent label, that certainly makes for a more difficult environment to sell music in, but reality must be recognized as it is.
I predict that in just a couple of years recorded music will be viewed as a listener’s desire to support a musician, band, act or label.
It’s not necessary to buy music, even if you are an enthusiastic listener.
Review by Hrayr Attarian here at All About Jazz.
Flautist Sylvain Leroux’s debut, Quatuor Créole, is an enchanting mélange of Guinean sounds, French influences and jazz inflections. In that aspect it is essentially Creole, but not necessary a work of New Orleanian or Haitian folkloric music.
Leroux plays the tambin, a West African reed flute, and a dozon ngoni, a lute from the same region—often alternating between the two on the same track.
You can buy this music and support this musician here:
YTD recordings listened to: 448
Good music, not recommended for purchase: 245
Not good music:173
Buys: 13 (not all 2012 releases)
Possibles: Glenn Hansard, Ebo Taylor, Sigur Ros, Le Super Borgou De Parakou, Left Lane Cruiser/James Leg, Cedric Pescia: John Cage Sonatas, Chatham County Line, Dennis Bovell
I listened to three Bandcamp recordings.
@@@ Dennis Bovell: Mek it Run (Pressure Sounds, 2012). I checked out AllMusic and it does appear that these are baked tapes from the 1970’s that have been remixed. There is most definitely a modern sound to the tapes, but not in an annoying way and there is enough bass nastiness on the record for the biggest bassheads out there. This being Lynton Kwesi Johnson’s former bass player he wouldn’t let you down with thin ass mealy faced dub. I need to check this release out but this could make my best of the year list.
@@@ Darling Farah: Division (2011) I don’t usually dig the hardcore club music and I loathe the sort of electro pop dance that is so unfortunately everywhere, but I dug this minimalist four on the floor club record as I thought it was rhythmically more complex than what I usually hear and it has a weird ass funkiness to it.
@@@ Bethia Beadman: Made of Love (Self-released, 2012). Found this record over here at The Quietus. An unorthodox and somewhat slippery voice over a minimalist indie backing band. The second tune, Glow Baby Glow has a pretty impressive epic guitar intro that comes down into a slow moving hipster song about she burns and he basks inthe glow. It’s all right.
@@@ Nas: Life is Good. (Def Jam, 2012). Good beats and then odd arrangements with big string and horn intros and big vocal intros followed by Nas hitting the microphone. So it’s an odd combination of cheese and gangsta.